Artsadmin’s Autumn ’26 Season

Our well-loved Artist Support programme continues this season, alongside new opportunities directly shaped by what we’re hearing artists need the most. Plus, we’re taking a moment to celebrate new and familiar artist-friends busy developing their practice, presenting new work and touring. Find dates and details in the drop downs…
Come rain or shine, you’ll find a friendly Artsadmin welcome at Morning Creatives, with producers ready to help connect you with fellow creatives over a coffee, to chew over challenges and riff on new ideas – and it might end there or grow into an unexpected collaboration. Less pressure, more possibility – just two of the things we know are important to artists still finding their way through the early stages of a career. What we’re also hearing loud and clear is the need for more space to create, and our response is Last Minute Studio Hire – heavily discounted rates for short notice bookings across our six main rehearsal studios, making it easier for artists to maintain momentum when inspiration strikes. We’ve also expanded our mentoring offer to launch Creative Support Plus, meaning artists and producers can now pay for up to six subsidised one-to-one sessions, giving more sustained support.
This will run alongside our ongoing free Creative Support Sessions which artists tell us are “invaluable” conversations: from how to build meaningful networks, and navigating complex funding structures, to developing an idea or create a workable plan. Collectively, we offer around 120 hours of free mentoring a year supporting artists across all stages of their working lives. Remember, our focus is live art, contemporary performance and socially-engaged art practices so if that’s your bag, we’d love to meet you.
Collaborations with partners near and far continue our commitment to making space for artists to exchange ideas and nurture their practice, and for us to grow and learn alongside them. Following a sell-out week in July PROJEKT UTOPIA returns with a second round of Immersion Lab, featuring a line-up of experienced migrant artists working across live performance disciplines. Meanwhile, in Thailand, the second leg of our international exchange Lab XL, with Creative Migration/Bangkok 1899, will explore leadership through the lenses of care, access and sustainability.
Deeper into the season when the nights draw in, you’ll find us shining a spotlight on four incredible artists with industry-facing platform, Elaborate. On 1 November Claudia Palazzo, Elana Binysh, Yasmeen Audisho Ghrawi and Victor Esses take over Toynbee Studios to share works in progress that first appeared with us during Lab 2025. This is all about peer and sector feedback, away from the gaze of public audiences (for now), so if you’re a live art producer, programmer or signed up to our artist support mailing list, you’ll likely hear from us with an invitation. We can’t mention Elaborate without a quick shout out to the cohorts of this year’s Lab: Brahim Jumaa, Naresh Kaushal and Zhaolin Zhou completed week-long residencies in August and Philip Ewe, Qingyang Lu and Rudzani Moleya will join us in October. Every Lab residency unfolds differently, but the shared experience of artists working with us at the same time helps build lasting relationships.
And speaking of lasting relationships… an artist we’ve been proud to work with for many years on a number of touring projects, is Tania El Khoury. Based between Beirut, New York and London, with a catalogue of projects that span the globe, Tania’s ideas never stop moving. This Autumn As Far As My Fingertips Take Me, which explores refuge seeking and physical connection travels to Halifax, (Canada) alongside video-installation Camp Pause, before heading to Helsinki for Moving in November Festival. And following presentations in Nyon and Fribourg earlier this year, her outdoor live art project Memory of Birds, which invites audiences to lie amongst trees and listen to a guided somatic experience, arrives in Marseille for Performer la Ville Festival. Meanwhile, Tania will be in Paris developing brand new multi-media performance piece Choreography of State, working with dance artists and making an appearance herself in an exploration of resisting militarised policing. This work is supported by Creative Capital Award and co-produced by Bard Fisher Center LAB Evidence and Chaillot – Théâtre National de la Dance, Paris, where it premiers 8-10 October – we’ll see you there if you can make it along.
Finally, more work from artist-friends to shout out is Now Not Now by Cade & MacAskill with Yas Clarke & Tim Spooner. Whilst this means you won’t see The Making of Pinocchio out and about this season, we can’t wait to see their new exploration into how we experience the flow of time at Southbank’s second iteration of KUNSTY 5 & 6 November.
That’s all for now. Stay up to date on Instagram and LinkedIn and we’ll be back at the end of the year with a wrap on 2026.